Former Indian River Grange, Addison, ME
(Recently went dark.)
Archival Digital Pigment Print on Canson Infinity Rag
Size: 13.33” (h) x 20” (w)
Date: 2023
Twelve Meeting Halls: Front Views with Gabel Roofs
Starting top, reading left to right:
Former Arlington Grange no 528, Whitefield, ME. Evening Star Grange no 183, Washington, ME. South Sangerville Grange no 335, South Sangerville, ME. Gov. Brooks Odd Fellows Hall no 142, Brooksville, ME. Mystic Tie Grange no 58, Kenduskeag, ME. Valley Grange no 144, Guilford, ME. Former Grange Eastern Star no 1, Hampden, ME. Vernon Valley Masonic Lodge no 99, Mt. Vernon, ME. Pleiades Masonic Lodge no 173, Milbridge, ME. Castine Grange no 250, Castine, ME. Union Hall, Vienna, ME. Former Progressive Grange no 513, Winslows Mills, ME.
Archival Digital Pigment Print on Canson Infinity Rag
Rag. Size: 30” H x 30” W Date: 2024
Old Surry Village School, Surry, ME
Fomer School preserved and repurposed as community center.
Archival Digital Pigment Print on Canson Infinity Rag
Size: 30.50” (h) x 30.50” (w)
Date: 2023
Reversing Hall, former Odd Fellows Hall, George Washington no. 23, Pembroke, ME
Repurposed as an agrarian library to foster organic farmer practices by the Greenhorns.
Archival Digital Pigment Print on Canson Infinity Rag
Size: 13.33” (h) x 20” (w)
Date: 2023
Former Crescent Masonic Lodge no. 78, Pembroke, ME
Archival Digital Pigment Print on Canson Infinity Rag
Size: 30” (h) x 30” (w)
Date: 2023
Jonesport Lodge no. 188. A.F. & A. M.
(Home to the Joneport Historical Society), Jonesport, ME
Archival Digital Pigment Print on Canson Infinity Rag
Size: 13.33” (h) x 20” (w)
Date: 2023
Three-quarter View of Kings Mills Union Hall home to Whtiefield Grange and Fish and Game Club, Whitefield, ME.
Archival Digital Pigment Print on Canson Infinity Rag.
Image size: 22” x 29” Date: 2022
Collection of Fifteen Meeting Halls found in Hancock and Washington Counties
Starting at the top left and going across and then down left to right:
Gov. Brooks Odd Fellows Hall no. 142, Brooksville, ME. American Legion Cobscook Post no. 59, Pembroke, ME. Pleiades Masonic Lodge no. 173, Milbridge, ME. Perry Grange no. 324, Perry, ME. Alexander Grange no. 304, Alexander, ME. Odd Fellows Blue Hill Lodge no. 79 and Ira Berry Masonic Hall no. 128, Blue Hill, ME. Former Odd Fellows Hall, Brooklin no 133, Brooklin, ME. Jonesport Masonic Lodge no. 188 and home to Jonesport Historical Society, Jonesport, ME. Indian River Grange no. 330, Addison, ME. Surry Village School, Surry, ME. Castine Grange no. 250, Castine, ME. Former West Bay Grange, Goldsboro, ME. Joshua Davis Odd Fellows Hall no. 145, Stonington, ME. Former Lubec Grange no. 434, Lubec, ME. Jonesboro Grange no. 357, Jonesboro, ME.
Archival Digital Pigment Prints on Canson Infinity Rag
Size: 35.75” (h) x 30.5” (w)
Date: 2023
American Legion Cobscook Post no. 59, Pembroke, ME
Archival Digital Pigment Print on Canson Infinity Rag
Size: 13.33” (h) x 20” (w)
Date: 2023
Former Jacksonville Grange no 358, East Machias, ME
Archival Digital Pigment Prints on Canson Infinity Rag
Size: 30.50” (h) x 30.50” (w)
Date: 2023
"Twelve Side Views of Maine Meeting Halls"
Manchester Grange no 172, Manchester. ME, Huntoon Hill Grange no 398, Wiscasset, ME, Kings Mills Union Hall, Home to Whitefield Grange and Fish and Game Club, Whitefield, ME, Valley Grange no 144, Guildford, ME, Danville Junction Grange, no 65, Auburn, ME. Olive Branch Masonic Lodge no 124, Charleston, ME, Benton Grange no 458, Benton, ME, Saint George, Grange, no 421, St. George, ME, Kenduskeag Masonic Hall no 137, Kenduskeag, ME, South Sangerville Grange no 335, Sangerville, ME, Tuscan Masonic Lodge no 106, Addison, ME. Former West Bay Grange, Gouldsboro, ME.
Archival Digital Pigment Print on Canson Infinity Rag
Size: 30” H x 32.25” W Date: 2024
Joshua Davis Odd Fellows Hall no. 145, Stonington, ME
Medium: Two Archival Digital Pigment Prints on Canson Infinity Rag.
Size: 30.50” (h) x 30.50” (w)
Date: 2023
Somerset Grange no 18, Norridgewock, Maine
Archival Digital Pigment Print on Canson Infinity Rag
Image size: 30.5” x 30.5” Date: 2022
Mariners Lodge no 53, Independent Order of Odd Fellows, Bristol, Maine
Archival Digital Pigment Print on Canson Infinity Rag
Image Size: 22” x 29” Date: 2022
Washington Masonic Lodge no. 37, Lubec, ME
Archival Digital Pigment Print on Canson Infinity Rag
Size: 22” (h) x 29” (w)
Date: 2023
Diptych, Front and Back View of Alna Meeting House, Alna, Maine
Archival Digital Pigment Print on Canson Infinity Rag
Image size: 20” w x 13.33/each Date: 2021
Grand Lake Grange no 375, Weston, Maine
Archival Digital Pigment Print on Canson Infinity Rag
Image size: 15” x 15” Date: 2022
Norway Grange no 45, home to Oxford Hills and Performing Arts Association, Norway, Maine
Archival Digital Pigment Print on Canson Infinity Rag
Image size: 15.36 x 14.75 Date: 2022
Farmington Grange no 12, Farmington, Maine
Archival Digital Pigment Print on Canson Infinity Rag
Image size: 15 x 15” Date: 2022
Three-quarter View of Abyssinian Meeting House, Portland, Maine
Archival Digital Pigment Print on Canson Infinity Rag
image size: 11” x 14” Date: 2022
Three-quarter View Pownal Lodge no 119, Stockton, Springs, Maine
Archival Digital Pigment Print on Canson Infinity Rag
Image size: 20” w x 13.33 Date: 2021
Three-quarter View of Eureka Lodge no 84, Saint George, Maine
Archival Digital Pigment Print on Canson Infinity Rag
Image size: 20” w x 13.33” Date: 2021
Fifteen Maine Meeting Halls
Archival Digital Pigment Print on Canson Infinity Rag
Image size: 35.75” x 30.5” framed Date: 2022
Starting at the top left to right:
Joshua Davis Odd Fellows Hall no 145, Stonington, ME., Stone Ezel Odd Fellows Block no 139 and Parian Masonc Lodge no 160, Corinna, ME., Deering Grange no 535, Deering, ME., Ripley Grange no 462, Ripley, ME., Vernon Valley Masonic Lodge no 99, Mount Vernon, ME., Former Cambridge Valley Grange no 582, Cambridge, ME., Tranquility Grange no 344, Lincolnville Center, ME., Odd Fellows Blue Hill Lodge no 79 and Ira Berry Masonic Hall no 128, Blue Hill, ME., Union Hall, Vienna, ME., Ocean View Grange, no 462, Martinsville, ME., Pleiades Masonic Lodge no 173, Milbridge, ME., Saint George Grange, no 421, St. George, ME., Former Odd Fellows Hall, Warren no 127, Warren, ME., Perry Grange no 324, Perry, ME., Howard Masonic Lodge no 69, Winterport, ME.
Back of Indian River Grange no 330, Indian River, Maine
Archival Digital Pigment Print on Canson Infinity Rag
Image Size: 15” square Date: 2021
Androscoggin Grange no 8, Greene, Maine
Archival Digital Pigment Print on Canson Infinity Rag
Image size: 11” x 14” Date: 2022
South Sangerville Grange no 335, Sangerville, Maine
Archival Digital Pigment Print on Canson Infinity Rag
Image Size: 22” x 29” Date: 2021
Three-quarter View of Village Lodge no 26, A. F. and A. M. and home to Eastern Star Electa no 2, Bowdoinham, Maine
Archival Digital Pigment Print on Canson Infinity Rag
Image size: 13” x 22” Date: 2022
Vassalboro Grange no 322, Vassalboro, Maine
Archival Digital Pigment Print on Canson Infinity Rag
Image size: 10.5” x 15.50” Date: 2021
Odd Fellows Blue Hill Lodge no 79 and Ira Berry Masonic Hall no 128, Blue Hill, ME.
Archival Digital Pigment Print on Canson Infinity Rag
Image size: 7.5” x 11” Date: 2021
Former Odd Fellows Hall, Brooklin no 133, Brooklin, ME
Archival Digital Pigment Print on Canson Infinity Rag
Size: 13.33” (h) x 20” (w)
Date: 2023
Vassalboro Masonic Hall, Vassalboro, ME.
Archival Digital Pigment Print on Canson Infinity Rag
Image Size: 7.5” H x 11” W Date: 2021
Ripley Grange no 462, Ripley, ME.
Archival Digital Pigment Print on Canson Infinity Rag
Image size: 7.5” x 11” Date: 2021
Masonic Temple no 52, Dover-Foxcroft, ME.
Archival Digital Pigment Print on Canson Infinity Rag
Image size: 7.5” x 11” Date: 2021
Diptych. Front and Back of Orient Masonic Hall no 15, Thomaston, ME
Collective Size: 6.833” x 20” Date: 2020
Former Odd Fellows Hall, Sheepscot no 122, Coopers Mills, ME
Archival Digital Pigment Print on Canson Infinity Rag
Image size: 7.5” x 11” Date: 2021
Former Arlington Grange, no 528, Whitefield, ME
Archival Digital Pigment Print on Canson Infinity Rag
Image size: 7.5” x 11” Date: 2021
“Three-Quarter View of Reversing Hall, former Odd Fellows Hall, George Washington no. 23, Pembroke, ME.”
Repurposed by the arts and cultural organization the Greenhorns as an agrarian library to foster regenerative farmer practices.
Archival Digital Pigment Print on Canson Infinity Rag
Size: 18.67” (h) x 28” (w) Date: 2023
”Masonic Block Former Home to Piscataquis Lodge A.F. & A.M. no 44 Milo, ME
Archival Digital Pigment Print on Canson Infinity Rag
Size: 18.67” (h) x 28” (w) Date: 2023
Former Progressive Grange no 513, Winslows Mills, ME
Archival Digital Pigment Print on Canson Infinity Rag
Image size: 7.5” x 11” Date: 2021
Former Grange, Eastern Star no 1, Hampden, ME.
Archival Digital Pigment Print on Canson Infinity Rag
Image size: 7.5” x 11” Date: 2021
Former Juanita lodge no 122 Knights of Pythias, Abbot Village, ME
Archival Digital Pigment Print on Canson Infinity Rag
Image size: 7.5” x 11” Date: 2021
”Diptych: Rear Views of Indian River Grange no 330, Addison, ME and Former Windsor Grange now Town Hall, Windsor, ME”
Archival Digital Pigment Print on Canson Infinity Rag
Size: 28” (h) x 20.43 (w) Date: 2021
Title: Heart and Hand Diptych (variation one)
Medium: Platinum Palladium overprinted with Cyan. Platinum Palladium.
SIZE: 6.5” H x 11” W DATE: 2019
Detail: Heart and Hand Diptych Variation One (one of two photographic prints)
Medium: Platinum Palladium overprinted with Cyan.
SIZE: 6.5” H x 5.5” W
Detail: Striking Bell (one of four photographic prints)
Medium: Toned Cyanotype.
Size: 5.5” H x 5.5” W
Title: Heart and Hand (variation eight) Diptych
Medium: Platinum Palladium overprinted with Cyan. Platinum Palladium.
SIZE: 6.5” H x 11” W DATE: 2019
Detail: Heart and Hand Diptych
Medium: Platinum Palladium overprinted with Cyan.
SIZE: 6.5” H x 5.5” W
Detail: All Seeing Eye (one of two photographic prints)
Medium: Ziatype overprinted with Cyan.
Size; 6.5” H x 6.5” W
Title: Heart and Hand Diptych (variation 2)
Medium: Cyanotype overprinted with Gum Bichromate. Platinum Palladium overprinted with Cyan.
SIZE: 6.5” H x 11” W DATE: 2019
Detail: Heart and Hand Diptych
Medium: Platinum Palladium overprinted with Cyan.
SIZE: 6.5” H x 5.5” W
Title: Heart and Hand (variation seven) Diptych
Medium: Platinum Palladium overprinted with Cyan. Platinum Palladium.
SIZE: 6.5” H x 11” W DATE: 2019
Diptych: Fraternal Sun Face
Medium: Cyanotype overprinted with Gum. Cyanotype.
Size: 6.5” H x 12.5” W Date: 2019
Detail: Fraternal Sun Face
Medium: Cyanotype overprinted with Gum.
Size; 6.25” H x 6.5” W
Title: Heart and Hand (Variation Six) Diptych
Medium: Platinum Palladium overprinted with Cyan. Platinum Palladium.
SIZE: 6.5” H x 11” W DATE: 2019
Detail: Heart and Hand Quartet (variation four)
Medium: Cyan overprinted with Gum Bichromate.
SIZE: 6.5” H x 5.5” W
Title: Fiat Lux: Collection of 12 unique photographic prints.
Medium: Platinum Palladium overprinted with Cyan and Cyanotypes overprinted with Gum Bichromate. Overall Size: 22.5” H x 30” W
Date: 2020
DETAIL from composite: Fiat Lux. One of 12 unique photographic prints.
Medium: Platinum Palladium overprinted with cyan.
Individual print size: 6.5” (h) x 6.5” (w)
Over all size: 22.5” H x 30” W
DETAIL from composite: Fiat Lux. One of 12 unique photographic prints.
Medium: Cyanotype overprinted with gum bichromate.
Individual print size: 6.5” (h) x 6.5” (w)
Over all size: 22.5” H x 30” W
DETAIL from composite: Fiat Lux. One of 12 unique photographic prints.
Medium: Cyanotype overprinted with gum bichromate.
Individual print size: 6.5” (h) x 6.5” (w)
Over all size: 22.5” H x 30” W
DETAIL from composite: Sun Series. One of 12 unique photographic prints.
Medium: Cyanotype overprinted with gum bichromate.
Individual print size: 6.5” (h) x 6.5” (w)
Over all size: 22.5” H x 30” W
COSMOS: Colors of Night
Medium: Four unique photographic prints: Gum Bichromate. Platinum Palladium, Gold Toned Kallitype, Cyanotype.
Size: 13-3/4” x 13-3/4” Date: 2020
Diptych: HEWNOAKES: PINE CLAD Day to Night (Variation three)
Medium: Kallitype Individual print size: 5.5” (h) x 7.5” (w)
Collective Size: 5.5” H x 15” W Date: 2018
Diptych: HEWNOAKES: NIGHT & DAY
Medium: Platinum Palladium overprinted with Cyan & Gum Bichromate Print. Individual print size: 5.5” (h) x 7.5” (w)
Collective Size: 5.5” H x 15 W” Date: 2020
DIPTYCH: ICE JAMS Variation Five
Medium: Gum bichromate.
Individual Print Size: 6” (h) x 6” (w)
Collective Size: 6” x 12” Date: 2018
ALBUM SERIES: ICE CAVE
Medium: Collection of 54 unique ziatypes, cyanotypes and gum bichromate prints.
Size: 33” (h) x 31” (w) Date: 2017
ALBUM SERIES: LAKE 14 VARIATION
Medium: Collection of 48 unique ziatypes, cyanotypes and gum bichromate prints.
Size: 26-3/8 (h) x 35-1/4 (w) Date: 2017
ALBUM SERIES: Eclipse: Sun & Moon
Medium: Collection of 42 unique ziatypes, cyanotypes and gum bichromate prints.
Size: 30-3/4” square Date: 2017
ALBUM SERIES: OCEAN 46 VARIATION, Monhegan, Maine
Medium: Collection of 48 unique ziatypes, cyanotypes and gum bichromate prints.
Size: 26-3/8 (h) x 35-1/4 (w) Date: 2017
ALBUM SERIES: OCEAN 35 VARIATION, Monhegan, Maine
Collection of 42 unique ziatypes, cyanotypes and gum bichromate prints.
Size: 28-5/8 (h) x 33-3/16 (w) Date: 2017
ALBUM SERIES: LAKE
Medium: Collection of 96 unique ziatypes, cyanotypes and gum bichromate prints.
Size: 31” (h) x 45 ” (w) Date: 2016
ALBUM SERIES: SUN & MOON
Medium: Collection of 66 unique ziatype & cyanotype prints with applied gouache & watercolor.
Size: 20” (h) x 36” (w) Date: 2015
LAKE VARIATION
Medium: Cyantype.
Size: 6.5” (h) x 6.5” (w) Date: 2018
FOUND PHOTO: ABSTRACT
Snapshot, 4-5/8" x 3.5" 1910
FOUND PHOTO: "FORGOT TO EXTEND BELLOWS"
Polaroid, 3.5" x 4.25" Circa 1975
FOUND PHOTO: BLAST OFF ON TV
Snapshot, 5" x 3.5" CIRCA 1968
FOUND PHOTO: CONDUCTOR ON TV
Snapshot, 4" x 3" 1967
FOUND PHOTO: ECLIPSE ON TV
Color snapshot, 3.5" x 3.5" circa 1970
FOUND PHOTO: CHER ON TV
Color snapshot, 3.5" x 3.5" circa 1970
FOUND PHOTO: MOON LANDING ON TV
Color snapshot 5" x 3.5" 1969
Meeting Hall Maine
Meeting Hall Maine records for posterity the documentation of hundreds of meeting halls found throughout the state. This photographic exploration began in collaboration with my late husband, Andrew S. Flamm (1967-2018). Our vision to adhere to centered compositions of frontal, side or back views and to sequence the typology of structures into grids and pairings invite comparison. At some sites three-quarter landscape views of the halls were created which set the structures in their context and their relationship to other buildings in the environment. The typologies mirror the clarity of a portrait, while the three-quarter perspectives evoke the experience of a particular place. Together these two formats offer the viewer a more complete photographic description that complements the creative aspect of the other. The project also includes work that appropriates signifiers used in ritual activities taking place inside the meeting halls.
Material Culture
These prints are part of an evolving series that appropriates the material culture of American Fraternal Organizations as part of the boarder project: Meeting Hall Maine. For instance, heart and hand staffs are used by the Independent Order of Odd Fellows as teaching tools symbolizing, “That what ever the hand goes to do the heart must go with it”. The sun and the moon and “All Seeing Eye” frequently appear in fraternal imagery. The later represents the cyclical patterns found in nature. The eye represents an omnipresent power in the universe. The hammer striking the bell reflects that human life is finite.
Album Series
Like nature itself, the repetition and proliferation of photographic imagery is used in this series to echo the rhythms of the natural world. My painted imagery or a found photograph have become the point of origin for exploring the permutation of color, pattern and texture that can emanate from a single image using layered combinations of historic photographic printmaking methods. Sequenced together into nonlinear compositions the prints express the repetition yet endless variation of time.
“A story should have a beginning, a middle and an end, but not necessarily in that order”. ––– Jean-Luc Godard
Found Photos
As a student of Ray Yoshida’s at The School of the Art Institute of Chicago, I learned early on that the importance of authorship is secondary to the emotional value of an object and that discovery often begins with the mundane process of wading and sifting through vast amounts of our material culture. Vernacular objects and images have enriched my artistic practice by broadening my own ideas of approaching, making, seeing and defining art.